अहम्
i am a construct
designed by the social paradigms, values, and ideals
constantly defined, and redefined, by a language that determines my social relations, my thought processes, and my understanding of who and what i am
manufactured by images of late stage capitalism and war
produced by a set of cultural practices and values that characterise my perceptions as a series of preferences, dispositions, proclivities, and biases.
The fragmented image, the broken code, the data corruption, or the Glitch stands for the rupture or trauma in one’s memory. By allowing the internal resistance to surface not in behaviour, but through a medium that offers a controlled, abstracted release of tension, the Glitch takes shape of a displaced manifestation, an act that mirrors the inherent struggle of confronting and expressing a repressed memory.
glitch
disturbance
disruption
static
Glitch actively resists the institutional and corporate mandate for digital perfection and smooth functionality. In celebrating the error, Glitch challenges the authority of the structures that demand flawless interfaces, whether in corporate branding, polished media narratives, or seamless institutional data processing.
Glitch fundamentally resists the logic of the market, which values seamless, consumable content that can be easily categorised, packaged, and sold. It is often non-commercial works that are difficult to categorise, and intentionally disruptive, thus acting as an anti-commodity aesthetic.
Glitch is more than an aesthetic play; it is a deliberate strategy of resistance. It is an assertion of your and my digital sovereignty - a declaration that the underlying code of one's existence will not be clean, legible, or profitable for the system.
अहम्
fragmented
fractured
this
is
an
exercise
in
reconstructing the deconstructed construct
अहम्
a sense of reality
a sense of identity
in other
words
i am particularly when viewed through the lens of contemporary art and psychology, is not a fixed, internal core but a dynamic, ever-changing portfolio of roles and narratives. It is the fluid story an individual continuously constructs and performs using my memories and perceptions, adapting them instantly in response to social context, cultural demands, and the pervasive influence of technology. This perspective sees identity as an artistic creation - a constant process of expression, mediation, and redefinition.
piece of capitalism
2025.
act of becoming
within the pre-existing hierarchies of languagehistory that establish a shared meaning and define a collective identity through a communal network of signifiers. shaped by a dominant narrative and institutions that sanction ways of thinking and ways of constituting knowledge that produce subjectivities and power relations through the structure and system of language intangible social relations and inalienable resources transformed as consumable commodity
TM
allusion of belonging
There are objects within the pre-existing hierarchies of language, law, and history that establish a shared meaning and define a collective identity through a communal network of signifiers within the pre-existing hierarchies of language, law, and history that establish a shared meaning and define a collective identity through a communal network of signifiers. shaped by a dominant narrative and institutions that sanction ways of thinking and ways of constituting knowledge that produce subjectivities and power relations through the structure and system of language
2025. All Rights Reserved.
pro
@reyyified
A lot went on her, but until the invention of heliography - accurately reproducing visual reality in a tangible form - in 1826, all the documented records remain in the form of texts defined by language.
civilisation
colonisation
c. 4031 M.A. Formation of protolith of the oldest known rock (Acasta Gneiss)
1826 C.E. First known photograph is produced through heliography - View from the window at Le Gras
1858 C.E. British Raj is established over India
colonisation
1860 C.E. Indian Penal Code is enacted by the British Parliament
1861 C.E. American Civil War
1863 C.E. Olympia by Eduard Manet
modernisation
discovery of the consumer.
consumer becomes producer.
modernisation
globalisation
globalisation
reglobalisation
consumer becomes commodity.
pre-modernism
c. 4600 M.A. to c. 1860 C.E.
modernism
c. 1860 C.E. to c. 1960 C.E.
postmodernism
c. 1960 C.E. to c. 2010 C.E.
re://modernism
c. 2010 C.E. to present day
the thought behind
illusion of being
shaped by a dominant narrative and institutions that sanction ways of thinking and ways of constituting knowledge that produce subjectivities and power relations through the structure and system of language. shaped by a dominant narrative and institutions that sanction ways of thinking and ways of constituting knowledge that produce subjectivities and power relations through the structure of language shaped by a dominant narrative and institutions that sanction ways of thinking and ways of constituting knowledge that produce subjectivities and power relations through the structure and system of language